Festival

Presenting a new perspective on Wu Guanzhong, Learning from the Master invites you to join us to examine Wu's practice as an art educator from 1976 to 1985 through the dialogues and aspirations shared by him and his students.


Wu Guanzhong (1919 – 2010) remains a leading figure in modern Chinese art history. He devoted his life to the integration of Chinese and Western art, continuously exploring modern art within a native and cultural context. He is also acclaimed as an art educator, who selflessly shared his artistic philosophies and experiences with students at leading educational institutions in China over a teaching career that spanned more than 40 years.

During the critical period of 1976 to 1985, the master and the students he taught gave rise to a valuable, often overlooked, episode in the historical narrative of Chinese modern art as they pursue formal aesthetics and artistic autonomy on their creative journey. 

This exhibition marks new chapter in the Gallery's ongoing and devoted research on Wu's life and art practice. Building on the foundation of artworks donated by the artist and his family, the Gallery has been investigating Wu's artistic practice since 2015, within the wider contexts of ink aesthetics and modern Asian art.


WORDS FROM OUR TEACHER


Beyond his career as an artist, Wu Guanzhong was also a dedicated art educator who kept his students close to his heart.

These pieces of writing between Wu and his students have been translated from Mandarin to English. They not only provide insights into Wu's pedagogy and the relationships he developed with his students, but also a glimpse of the artist's character.
 

 

My Two Students – The Story of Zhong Shuheng and Liu Jude is a written reflection by Wu Guanzhong on his students Zhong Shuheng and Liu Jude, both of whom went on to become respected artists in their own right.

 

View this text now: English | Chinese

 

 

 

 

DATE
  • 20 Feb 2021 to 10 Apr 2022
LOCATION
General admission ticket required (Free for Singaporeans and PRs)
HIGHLIGHTS

Discover a plethora of artworks and archival materials that reveal Wu's definitive role as mentor.

Notes from outdoor teaching trips to the Great Wall and Qinhuangdao.

26 drawings, 1978
Carbonic ink and pen on paper
Collection of Tsinghua University Art Museum.

Wu Guanzhong with students from the 1977 class of Central Academy of Art and Design's Department of Ceramics, on an outdoor drawing trip to Beijing's Juyong Pass and Badaling, September 1978.

Digital Collection of National Gallery Singapore Library & Archive, with kind permission from Wu Keyu.

Notebook #4 (Handwritten notes by Zhao Tianxin, a student from the 1977 class of the Department of Graphic Design at the Central Academy of Art and Design).

1980
Carbonic ink and pen on paper
Collection of the artist

Wu Guanzhong with students from the 1977 class of Central Academy of Art and Design's Department of Graphic Design, on an outdoor drawing trip to Shanhai Pass, October 1978.

Image courtesy of Zhang Peng.

Wu's handwritten manuscript for The Bittersweet of Integrating Chinese and Western Painting.

3 pages, Undated
Collection of Tsinghua University Art Museum

VIDEOS

Our Teacher, Wu Guanzhong | 吾师吴冠中
Our Teacher, Wu Guanzhong | 吾师吴冠中
Our Teacher, Wu Guanzhong | 吾师吴冠中
A look back at Wu Guanzhong: Expressions of Pen & Palette
A look back at Wu Guanzhong: Expressions of Pen & Palette
ACKNOWLEDGEMENTS & ACCESSIBILITY


Strategic Partner

 


 

Access Advisory

National Gallery Singapore is committed to creating an inclusive experience for our diverse audiences. Click here for the Exhibition Access Advisory.

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